Otvorene su prijave za međunarodnu konferenciju 4th International Meeting on Retouching of Cultural Heritage, RECH4,  koja će se održati 20. i 21. listopada 2017. u Splitu. Domaćin skupa je Odsjek za konzervaciju-restauraciju Umjetničke akademije Sveučilišta u Splitu. Konferencija je namijenjena konzervatorima-restauratorima, djelatnicima ustanova koje se bave zaštitom i očuvanjem kulturne baštine, znanstvenicima/istraživačima i studentima konzervacije-restauracije iz Hrvatske i svijeta. Službeni jezik konferencije je engleski. Prijave za sudjelovanje zaprimaju se do 13. listopada 2017.  Kotizacija iznosi 15 € za studente i 25 € za sve ostale. Autori i koautori oslobođeni su plaćanja kotizacije. Prijava se ispunjava na ovoj poveznici.   Više informacija o konferenciji potražite na službenim stranicama konferencije.  

RECH4  - preliminarni program

October 20, 2017 (Friday) 8.30 - 9.00 Reception 9.00 - 9.20 Opening 9.20 - 9.40 Leonardo Severini, An occasion for reflection on differentiated retouching techniques used in Italy: methods and materials. Problem solving in private practice context 9.40 - 10.00 Eve Bouyer, The bad reputation of neutral retouching 10.00 - 10.20 Mara Kolić Pustić, Carlo Galliano Lalli and Nancy von Breska Ficović, Baroque Master Mattia Preti and his workshop: two series of four evangelists from Dubrovnik 10.40 - 11.00 Katarina Alamat Kusjanović and Sandra Šustić, "All saints are in the details": retouching of a painting by Girolamo da Santa Croce 11.00 - 11.20 Discussion 11.20 - 11.40 Coffee break 11.40 - 12.00 Amparo Escolano Mena and Rita Udina Armengol, The suitability of powdered microCellulose for its use in paper conservation 12.00 - 12.20 Vanessa Ubaldi, Daphne De Luca, Roberto Franchi, Richard Wolbers, Roberto Bestetti, Pier Paolo Lottici, Francesca Modugno, Emanuela Grifoni and Valentina Emanuela Selva Bonino, The use of Aquazol® 500 as a binder for retouching colours: analytical investigations and experiments 12.20 - 12.40 Kristin deGhetaldi, Brian Baade, Joyce Hill Stoner, Jim Hayes and Samantha Alderson, PVA(C) Retouching Colors: a brief history and introduction to GOLDEN’s newly formulated PVA Conservation Colors 12.40 - 13.00 Discussion 13.00 - 15.00 Lunch 15.00 - 15.20 Liliana Cardeira, Ana Bailão, João Linhares, Sérgio Nascimento, António Candeias and Fernando A. B. Pereira, Using watercolour markers in chromatic reintegration 15.20 - 15.40 Martina Vuga, Filling and colour reintegration in a single step 15.40 - 16.00 Ana Oblak, Dealing with unsuitable retouches: the steps toward successful reintegration 16.00-16.20 Simona Škorja, Different approaches to painting retouching: the case of St Nicolas, a Baroque painting by Fortunat Bergant 16.20 - 16.40 Ana Bidarra and Pedro Antunes, Painting and retouching 16.40 - 17.00 Discussion 17.00 - 18.30 Poster session   October 21, 2017 (Saturday) 9.00 - 9.20 Mapping lacunae for chromatic reintegration with Blender Frederico Henriques, Agnés Le Gac, Rui Bordalo, Carlo Bottaini, Ana Bailão, Liliana Cardeira, Alexandre Gonçalves, António Candeias and Eduarda Silva Vieira 9.20 - 09.40 Carla Zeferino and Sara Martins, The Last Supper in São Cristóvão church – retouching issues 9.40 - 10.00 Antonija Gluhan, Reconstruction and reintegration of wall paintings in the atrium of Sibenik Theatre 10.00 - 10.20 Simona Pannuzi, Marisol Valenzuela, Daria Montemaggiori and Giorgia Galanti, Gold and polychromy on stone: a proposal of retouching methodology 10.20 - 10.40 Catarina Melo, Ricardo Triães, Cláudia Falcão, Lacunae infill and the use of new tiles in conservation and restoration of tile panels. Criteria and practice guidelines 10.40 - 11.00 Discussion 11.00 - 11.20 Coffee break 11.20 - 11.40 Emmanuelle Mercier and Erika Rabelo, Inpainting of gildings on sculpture 11.40 - 12.00 Paolo Roma, Rediscovery and recovery of an heavily transformed artifact: the restoration treatment of a wooden gilded dossal 12.00 - 12.20 Maja Sučević Miklin, Reconstruction of the faux marble paint layer on the baroque wooden tabernacle 12.20 - 13.00 Discussion 13.00 - 15.00 Lunch 15.00 - 15.20 Retouching of artwork on paper in the laboratory for conservation and restoration at the Croatian State Archives Sanela Huzjak 15.20 - 15.40 Leonor Loureiro, Approaches to the conservation treatment and chromatic reintegration on watercolours, charcoal drawings, and a lampshade handpainting 15.40 - 16.00 Rubén Morales González, The photographic retouching as fundamental intervention: historical and technical aspects 16.00 - 16.20 Martina Bagatin, Retouching methods on the albumen and collodion photographic processes from the Croatian State Archives 16.20 - 16.40 Discussion 16.40 - 17.00 Announcement of RECH5 17.00 - 18.30 Demonstrations   Poster session Influence of lighting sources in the processes of colour reintegration Beatriz Domenech, Vicente Guerola Blay and María Castell Agustí Chromatic reintegration in late 19th century albumen prints: analizing and testing different methodologies in Calouste Gulbenkian´s albums Alba Guerrero Selective removal of layers in layered systems of retouching Dorotea Krstić and Sagita Mirjam Sunara Reconstructing of the Sappho painting towards a better understanding in retouching Marija Lena Bosković and Sandra Šustić The issue of metamerism in Mario Agrifoglio’s paintings. Identification of fluorescent pigments through raman spectroscopy to define a methodology for retouching SerenaFrancone, Silvia Bruni, Chiara Zaffino, Katia Galli and Vittoria Guglielmi The problem of presentation of wall paintings. the role of understanding the work of art Anita Klančar Kavčič Retouching sacral paintings – examples from private practice Lana Kekez, Kristina Krivec and Julija Baćak Calcium hydroxide nanoparticles for wall painting retouching. The chapel of Saint Michael in the Royal Monastery of Pedralbes, Barcelona Rosa Senserrich-Espuñes and Lidia Font-Pagès Retouching a double-sided 18-th century processional flag-ICON Filip Adrian Petcu Integration of Analytical Data and Chromatic Reintegration for Documentation Purposes Rui Bordalo, Carlo Bottaini, Frederico Henriques, Liliana Cardeira, Alexandre Gonçalves, Ana Bailão, Eduarda Silva Vieira and António Candeias Selection methods for retouching polychrome and gilded altarpiece made in different time periods Sara Aničić Eterović and Ivana Letilović Mixing and matching. Selection of Materials Ana Bailão Fernando Mardel, a portuguese painter-restorer. A retrospective of his retouching work Carolina Rodrigues Ferreira, Fernando António Baptista Pereira, Mercês Lorena and António Candeias The reconstruction of three strongly damaged panel paintings of a 16th-century Sienese predella Tímea Bakonyi, Ágnes Kuna and Gábor Erdei Inpainting in exhibition Clara M.Prieto